THE BREAKDOWN BEGINS
- Nicole Alonso
- May 15
- 9 min read
"What the creature didn’t tear apart, the edit will."
"No matter the setback, we push forward. Every shot, every edit, every hour — we don't retreat. We reload. TRYHARD COMPANY doesn’t stall. We advance."
Behind-the-scenes updates, production news, and indie filmmaking insights from TRYHARD COMPANY.
🕹️ TRYHARD PROTOCOL
🔥The time has come. Episode One’s full breakdown is now LIVE in the TRYHARD COMPANY Command Center — and it's just the beginning. Over the coming days, once we fine-tune the layout and functionality, all six episodes will go live for full access — letting fans track every visual effect, edit, sound mix, and color grade as we bring this beast to life.🔥
📑 TABLE OF CONTENTS
TABLE OF CONTENTS
Battle for Survival: TRYHARD COMPANY Update
Mission Briefing: Eyes Only - Sneak Peek
Code Red: Filmmaking - Director's Thoughts
Reconnaissance: Hidden Masterpieces - Cult Classics
Surveillance: Hidden Treasures - Underrated Series
Debriefing: The Mover and Shaker's Club - Meet the Game-Changers
Intelligence Gathering: The Vault - Past Highlights
Victory Report: Crawl or Die
🏆 CRAWL or DIE Spotlight
“She survived the tunnels once. Now she’s leading the charge through hell.”
TANK wasn’t just a survivor in CRAWL or DIE — she became an icon of indie sci-fi grit.
In TRYHARD COMPANY, that legend deepens. This new series expands her mythos, throws her into an even deadlier warzone, and introduces a team built for chaos. But at its core — it’s still her story. A fight for survival in the darkest corridors of a world on fire.
🎬 Rent or own the original — direct support to the creators.🔻 Watch below.
⚔️ Battle for Survival: TRYHARD COMPANY Update
Headline: The Command Center Is Live — But This Is More Than A Page
🧭. We just launched the TRYHARD COMPANY Command Center — and while it might look like just another update, here’s the truth:
This isn’t just a website.
This is the process of building a series — in another form.
Every step of creating this site parallels making a film. You start with a blank screen and an idea. You test a font. You try a layout. You render a header. You adjust the shadows. You shift the tone. You obsess. You scrap it. You bring it back. You tweak it again.
🔧 "It’s not just the font. It’s not just the colors. It’s how it all makes you feel."
And when it all starts to breathe — when it feels right — you know you’re close.
Just like building a scene in the edit bay or chasing a lighting cue on set, this site isn’t about perfection. It’s about tone. Feeling. Momentum.
Over the next few days, we’ll be tracking how well the Command Center performs. Is the Episode One Breakdown landing the way we want? Is the structure working? What needs to change? What needs to be pushed? Once we know — we’ll refine the Episode One
Breakdown and roll that new structure out across all six episodes.
🎬 "The pieces don’t just fit — they click. And when they do, you feel it." 🎬
Because it’s not just about data or visuals.
It’s about building something that hits like the series itself — something that feels like TRYHARD COMPANY.
And yes — it’s still a work in progress. But when it’s complete?It’ll launch alongside our PR campaign — fully formed and battle-hardened.
Until then, we’re sharing this part with you — the build, the blood, the hunt for what’s right.
🔥 " IT'S STARTING NOW w/EPISODE ONE " 🔥
🔻 Tap below to enter the Command Center and witness the war as it unfolds.
Mission Briefing: Eyes Only
💣 CLASSIFIED VISUAL LEAK
Episode One Breakdown is Live — What Comes Next
Fans can now dive into the Episode One Breakdown via the TRYHARD Command Center — a full behind-the-scenes look at the work going into the series. And this is just the beginning. Over the next few days, we’ll be testing how this page performs — layout, load time, flow, interaction, clarity. Based on that data, we’ll be making tweaks to the structure and design — pushing it to hit harder both visually and functionally. Every section on the Episode One page will also get expanded Director’s Notes — raw insights, breakdowns, and reflections on why certain creative choices were made. You’ll see what was hard, what almost got cut, and what still needs to be finished.
🔍 "This isn’t a portfolio — it’s a war journal." Once we find the format that feels right, we’ll mirror that structure across all six episodes. That way, every visitor can track the full evolution of TRYHARD COMPANY — from rough edit to final master.
📡 Command Center intel is live. The mission is underway.
🎥 Now — watch the teaser trailer below.Just a taste of the tone. A flicker of what’s coming.The full war’s about to unfold — but this is where it starts.
🔻 Trailer below — your first mission briefing begins here.🔻
Code Red: Filmmaking - Directors's Thoughts
Step into the mind of the director as we explore the creative process behind TRYHARD COMPANY, with personal reflections, insights, and inspirations.
🎬 Let’s cut to the truth...
💻 + 🎥 = 🧠 Here’s something no one tells you:The hardest part of filmmaking isn’t knowing what you want — it’s knowing when it feels right.
And building this website has made that truth louder than ever.
Every click, every redesign, every image you see — it’s exactly like building the series. You throw everything on the timeline. You move pieces around. You hold your breath on a new cut.
You tweak a frame by a few pixels, or a punch of light, or the sound of a shadow.
🔄 "Sometimes the answer is: let it sit. Step back. Shift gears. Let the work talk to you."
And sometimes… it’s good. But it’s not right. Not yet. So you let it sit. Then you shift. You work a different scene. A different section. A different node.
Eventually, the pieces start talking to each other.And when that happens — when it all starts to align — you stop seeing pieces and start feeling tone.
🧩 "That’s the real job: building toward a feeling, not a checklist."
That’s the work. That’s the goal.And that’s what this site really is — a living, evolving, behind-the-scenes companion to the series.
You’re not looking at promotion.
You’re looking at the actual filmmaking process, unfolding in real time.
🎥 Reconnaissance: Hidden Masterpieces – Cult Films
🎬 Featured Film: The Lords of Flatbush (1974)
Directed by Martin Davidson & Stephen Verona | Starring Sylvester Stallone, Henry Winkler, Perry King
❤️ WHY I LOVE: The Lords of Flatbush
There’s a texture to this movie that’s hard to fake.The streets feel lived in. The lighting feels like it was stolen. And the characters — they’re not polished, they’re barely holding it together. That’s what makes it sing.
The Lords of Flatbush doesn’t just show you a group of Brooklyn greasers — it drops you into their orbit. The swagger, the silence, the sudden explosions of ego or emotion — all of it feels like it was captured, not written. Every shot has grime in the corners. Every scene has weight behind the eyes.
It’s not a perfect movie. That’s the point.
Stallone, Winkler, and Perry King aren’t just playing roles — they’re figuring it out as they go, and you feel it. You feel the tension between actors. You feel the energy of early careers trying to find their footing. You feel how Stallone's character mumbles like he's got something to prove but doesn’t know what it is yet — and in that mess, something real happens.
Behind the scenes, it wasn’t easy.
Stallone clashed with the directors — hard. He rewrote a bunch of his lines, pushed scenes into grittier territory, and even nearly got into a fight with one of the producers. The chaos bled into the frame. It shows.
And it helps.
There’s no safety net here. No glossy nostalgia.Just cold sidewalks, busted payphones, and a bunch of guys pretending they’re men when they’re still just kids — aching, hiding, posturing, dreaming.
That’s why I love it.Because for all its flaws, it feels like truth.
📜 Summary:
A stripped-down, mood-driven time capsule set in 1950s Brooklyn, The Lords of Flatbush follows a gang of leather-clad teens as they drift through love, fights, and false bravado. It’s not about plot — it’s about vibe.Grit, silence, posturing, and the feeling that something’s always about to blow. It simmers.
This one feels like it was shot from behind a dirty diner window with a busted neon sign buzzing just offscreen. It’s raw. It’s bare. It’s all attitude — until it cracks.
🧩 Two Interesting Facts:
• Sylvester Stallone wrote many of his own lines and almost got into a real fight with the director on set.
• Henry Winkler modeled early versions of "The Fonz" after his character in this film.
🎭 Actor Spotlight:
Stallone, still years away from Rocky, is magnetic here — brooding, restless, and barely keeping the anger under control. You can see the seeds of everything he’d later become — but raw, unpolished, and totally grounded.
🎬 Iconic Scene:
The rooftop confrontation — no music, barely any dialogue, just tension, space, and the ache of growing up in a world that doesn't care. No explosions. Just emotion. And it hits harder than most action scenes.
🗞️ What the Critics Say:
“A gritty little time bomb.” — LA Times“Low budget and low key — but unforgettable.” — Film Threat “Feels more lived in than most studio dramas ever dare to be.” — Slant Magazine
📺 Surveillance: Hidden Treasures - Underrated Series
📡 Spotlight Title: Lost (2004–2010)
Created by J.J. Abrams, Damon Lindelof, Jeffrey Lieber | Starring Matthew Fox, Evangeline Lilly, Terry O’Quinn, Naveen Andrews, Michael Emerson
☕ Pick up your coffee cups...
❤️ WHY I LOVE: Lost (2004–2010)
There was before Lost — and then there was after Lost.
I remember when that pilot aired. You could feel the shift. This wasn’t just TV anymore. It was cinematic. Epic. Dangerous. The crash alone looked like something out of a blockbuster — but it was what followed that got in your blood. Questions. Secrets. The hatch. The numbers. The whispers in the jungle.
It wasn’t just a show — it was a weekly event.A decoding session. A debate. A shared obsession .It pulled everyone in — genre fans, casual viewers, theorists, skeptics. And suddenly we were all standing around digital watercoolers trying to figure out what the hell was happening.
And we loved it.
Behind the scenes, it was chaos. The original pilot was so expensive ABC almost pulled the plug — but they didn’t. And it changed everything. Michael Keaton was originally cast as Jack and was supposed to die in the first episode. That changed. Then Charlie was rewritten for Dominic Monaghan after Lord of the Rings. The show mutated and evolved before it even aired — and that wild, shape-shifting energy became part of its DNA.
Was it perfect?
Not even close.
But Lost swung for the fences every single week .It didn’t play it safe. It didn’t follow formulas. It made you feel like anything could happen — and sometimes it did.
That’s why I love it. Because it reminded us what TV could be.
Big. Bold. Emotional. Messy. And alive.
📜 Summary:
Lost begins as a survival drama — a plane crashes on a mysterious island and strangers must band together. But that’s just the tip of the iceberg.What follows is a mind-bending spiral into sci-fi, mysticism, fate, memory, war, and identity — a genre-defying series where no answer comes easy and every character is hiding something.
It’s ambitious, flawed, addictive — and years later, still unlike anything else that’s aired on TV.
🧩 Two Interesting Facts:
• The pilot episode cost between $10–14 million — the most expensive in TV history at the time.
• The character of Benjamin Linus (Michael Emerson) was originally supposed to appear in just a few episodes — but his performance was so chilling, he became central to the mythology.
🎭 Performance Highlight:
Terry O’Quinn as John Locke is a revelation.A man once confined to a wheelchair, reborn on the island with purpose — torn between logic and faith, weakness and strength. His performance grounds the show’s stranger elements with raw humanity.
🎬 Iconic Moment:
Season 2: The Hatch. The reveal. The numbers. The button.A claustrophobic, philosophical bomb dropped into the middle of a survival story. Suddenly, Lost wasn’t just about getting off the island — it was about what the island was.
🗞️ What the Critics Say:
“A groundbreaking mix of philosophy, mythology, and character-driven tension.” — The Guardian “ A pop culture puzzle box that dared you to look deeper.” — Entertainment Weekly“Ambitious, maddening, unforgettable.” — The Ringer
🎥 [Watch the Intro]
Take a trip down memory lane with us as we explore the archives of our past content, with forgotten gems and timeless insights.
Classified Files Pending...
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🧠 JOIN THE TRYHARD COMPANY TEAM
We’re building this series from the ground up — no studio safety net, no big budget machine. Just passion, scars, and a relentless drive to make something real.
If you've made it this far — you're already part of it.
💥 Want to go deeper?
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Mission Accomplished... for now.
The briefing may be over, but the mission continues. Join the TRYHARD COMPANY team and stay tuned for more updates, insights, and behind-the-scenes information. Share your thoughts and join/follow us on Youtube, Facebook, Instagram, twitter/x etc. - and we'll catch you every Tuesday/Thursday/Saturday...
Create fearlessly,
Oklahoma Ward
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